She wears a flowing saffron indigo robe and henna face tattoos. Her character in the video would fit right in with the menagerie of aliens who appear in the film.
RIHANNA SLEDGEHAMMER OUTFIT MOVIE
She yearns for a movie career and it’s unfortunate that she doesn’t appear in the new Star Trek movie. Indeed, it may by the Barbadian singer’s most ambitious video yet. “Can’t wait for you to see this Navy!” she also Tweeted to her fans. “#SLEDGEHAMMERVIDEO tomorrow! 1st ever #IMAX music video debut at 9AM EST then watch & at 10AM EST,” the singer tweeted. Rihanna was more than elated about the release. But Rihanna takes over command in her video. The song was teased in the final Star Trek movie trailer released Monday (June 27). The song is featured on the new “Star Trek Beyond” movie soundtrack, and it’s as eerie as she is. (Photo: ScreenCap) Rihanna goes into orbit and beyond in a wild galactic ride that takes her to the depths of interstellar space in her new “Sledgehammer” video. The song is featured in Star Trek Beyond. For me, I don’t necessarily want to see it, but yes, it’s a good thing to bring into the light and have people pay attention and not just go with the flow-to have them really pay attention to what they’re doing and their choices in hiring.Rihanna probes deep space in her new sledgehammer video. If I ever ran into any of those problems, I just moved beyond it and didn’t give it any kind of power. You hope as a human being on this earth that it’s not really there, and that’s how I always viewed the world. I feel that there are a lot of incredibly talented women, and just to have someone’s sex get in the way of something sounds very antiquated. I think that the film industry has been lagging, for sure. Do you think the music video industry is a more hospitable place for women than Hollywood? I never saw it as a problem in music videos. There has been a lot of attention on the dearth of female movie directors. You directed the movie The Runaways, and you have two other films in the works. And now that we see that we don’t have him anymore, that’s what he’s left he’s left us with this beautiful, daring, characteristic that hopefully we can all embody. I loved that because he never got comfortable and just sold what he was known for. He would say, “Let’s make the shortest music video ever.” He was always looking for something different. We knew each other, he felt very safe with me, and I was super-excited to be a part of his continuing creativity. Taking from the mind into the physical was the biggest gift he could’ve given me. I just thought, my God, any idea you think of, you can actually make. He really did to all the freaks and all the people who thought differently and all the people who wanted to dress differently, he really gave them permission. He gave me the permission to be myself, and that’s what he gave to the world. I had done “Little Wonder” and “Dead Man Walking” in 1997, just after I did the Marilyn Manson video. What was it like collaborating with him? David Bowie and I had a working relationship spanning 18 years. You’ve done videos with a number of artists, but you worked on many videos with David Bowie. For me, looking up at the stars is where inspiration comes from. I’ve always been intrigued with the unknown, and I find the knowledge of what it is we’ve lost. The world is looking down at their phones, and there’s a whole amazing thing happening above us. Have you always been interested in the universe? For me, I am looking up. You did a video for Katy Perry that also takes place in outer space. I don’t think I would call it dark it’s more that something is kind of off.
So I feel like that’s how I create I take two opposing things, like beauty and something that you would at first think is decaying and ugly, and then mash them together and create this new thing. But my parents were opera singers and Italian. Hamilton is a steel factory city and it’s quite polluted.
It’s interesting, because I’m a very optimistic person. I’ve embraced that that’s how I see the world. I used to wonder why and I don’t anymore. Is that an aesthetic that you naturally gravitate toward? It has kind of become my language now. Your previous music videos tend to be quite dark. I wanted something otherworldly, something that blew in the wind, but not too feminine, something that gave her strength. What she wore was perfect, that kind of burnt orange color. I wanted something that was going to stick out against the landscape, so nothing really earth toned. What about the styling of Rihanna? Did you have any say about the Rick Owens look? We talked about it.
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